Tuesday
09Feb2010

Vote for Ian Stewart for Supreme Galactic Emperor!

Or if that's a little too much for you, you could just go here and vote for my remix of Laurent Garnier's "Gnanmankoudji".  Apparently remix competitions are no longer about how good a remix is, but instead how good the remixer is at social networking, so that's why I'm appealing to all of YOU  to help me out here (although I'd also like to think that my remix happens to be pretty bangin').  

The one caveat is that you have to register with beatport, but a) it's free, and b) you should be registered with them already anyway.  After all, they do have lots of awesome house music for sale there.  If you already have a beatport account just log-in at beatportal and then click "Spin It" (on the left side of the track player) to vote; if you don't have an account/are not logged in it will say "Log In" instead of "Spin It".

Regardless of whether or not you log-in/vote you can still listen to my remix and hopefully you'll enjoy the be-shit out of it, and if you do I sincerely hope you'll make that extra little effort to vote for me.

Thank you all for allowing me to waste a bit of your time.

Tuesday
02Feb2010

Ravin' at the Grocery Store

 Its funny.  Thats all

Wednesday
27Jan2010

Audio Soul Project Invades Albany!

Yessir, it may be winter but we just don't care.  In the past we've been a part of bringing you some amazing artists: Jonn Hawley, Jason Hodges, Hush & Bons, Tommie Sunshine, The Sound Republic, Q-Burns Abstract Message,  etc and so on.  Mazi aka Audio Soul Project aka one half of Wasted Chicago Youth aka house blogger for beatportal.com aka the DJ that brought you one of our first ICONS podcast episodes will be in Albany. He will be at Quintessence on Saturday February 6th 2010.  It will be FREE!

I'll be DJing alongside Lazer & Blazer as well as Properly Chilled to welcome of of the most respected names in House Music to Quinns.  If Wayne & Garth were here there'd be a whole lotta "We're not worthy!" going on.

I hope you can make it out, it will be a truly special and great night.  Lately its been getting PACKED and the shows have been great.  See ya then~!

 

Sunday
24Jan2010

Allen & Heath Xone:DX. Please don't be a shitty piece of plastic!

please don't suck....Sooooo...... NAMM, which is some kind of music industry trade show/dick sucking contest just happened and this little tidbit crossed my path.  Allen & Heath is by far one of the most hallowed names in the lexicon of DJ gear.  Their mixers are downright expensive, biut every DJ I know (myself included) that has ever played on one lusts after it in his sleep.  So the've finally thrown down the gauntlet and entered the controller market. Ugh....

See, Allen & Heath already has one of these called the Xone:4D.  Its been out for years.  It costs a couple of grand.  It is a fully featured 4 channel DJ controller with these 2 MIDI doohickeys stuck on the side.  Its perfectly capable as a MIDI controller and as a DJ mixer. SO why on Earth would Allen & Heath do this to themselves? The fucking money.  That's why....

See you can't penetrate a market if your products costs like $4000 which is what the Xone:4D cost when it came out.  It wasn't tied to some hokey Dj software package.  You want the drool inducing sound of of Allen & Heath and a MIDI controller?  Pay up.  ANd you know what?   I am WAY ok with that.  It wasn't junk.  The value was obviously there.  I knew what I was buying because if the reputation and other products available.  I mean, I didn't buy one.  But you get the picture.

So here we are.  Controllers are all the rage and the VAST majority of them are like $300 alone or up to $900 with a software pack. (I'm looking at you VCI-300).  So why not sweeten the pot.  Lets drop the DJ mixer part and just make it a soundcard.  While we're at it, lets keep the cost WAY up!  Fuck it, we're Allen & Heath.  Well, my dear readers.  I kinda want to see this thing.

The problem with DJ Controllers is they're shitty.  I have a Numark Total Control just gathering dust upstairs right now.  Its tiny, its flimsy, and it just wasn't right for me.  Lazer & Blazer however CRUSH gigs all month long with theirs.  Its all about personal preference.  Me?  I want a full sized mixer.  I want all kinds of buttons, faders, and encoders to map.  I want it to have a good A/D Converter.  And most of all I want it made of metal and real shit.  I may have found the holy grail of digital DJing for me.

 If Allen & Heath were to send me one tomorrow, would I sell my CDJs & 1200s and tell you all to do the same.  Probably not.  But if this thing have REAL faders, a metal case, is a bit heavy, and carries with it the quality I expect from Allen & Heath.... I'd better update my eBay account.  Immma 'bout to need $1300.

Friday
15Jan2010

Ableton & Serato announce THE BRIDGE. Mac OS 7 wants its interface back...

Another day another announcement about the future of DJing.  This time Ableton (the makes of the the groundbreaking Live DAW) and Serato (the makers of Scratch Live DJ package) they're collaborating on a new package called BRIDGE.

 

I know, I know, "OMG I can haz ableton & serata?!?!?"
 

Well.  First of all the interface is garbage.  It looks like Mac OS 7 is back.  I have always hated Serato's interface and Ableton's won awards for theirs so WHY!!!  Serato should take a back seat on this one.  Second, Sertao is MAD picky about your needles.  Traktor is way less finicky if your records are dirty or your needles are worn, but Native Instruments makes software.  They would never partner with Ableton. Third, look at the screen shot above. Ableton is assigned to Deck A and Thriller on Deck B.  Thats right.  No you cannot drop 2 tracks and use Ableton.  Weaksauce.

I have been an Ableton OWNER (yes I buy software and music) since version 1.  I'm a little stunned that they would do this when they could have licensed "Ms. Pinky" which is a VST plugin that has control vinyl support for MIDI and they could have done it themselves.  Hell, thats what M-Audio did with Torq (Their flaming POS digital DJ system)! **Editor's Note: I owned Torq.  It sucked. I sold it.  It worked for 2 out of 7 gigs

I'll hold back my overall skepticism for now, but I don't see this being the awesome thing they think it will be.  Especially since you can watch James Zabelia in this video from OVER 2 years ago clearly swicthing from Ableton to Traktor while playing in front of 5000 screaming fans.