Entries in dj (14)

Sunday
24Jan2010

Allen & Heath Xone:DX. Please don't be a shitty piece of plastic!

please don't suck....Sooooo...... NAMM, which is some kind of music industry trade show/dick sucking contest just happened and this little tidbit crossed my path.  Allen & Heath is by far one of the most hallowed names in the lexicon of DJ gear.  Their mixers are downright expensive, biut every DJ I know (myself included) that has ever played on one lusts after it in his sleep.  So the've finally thrown down the gauntlet and entered the controller market. Ugh....

See, Allen & Heath already has one of these called the Xone:4D.  Its been out for years.  It costs a couple of grand.  It is a fully featured 4 channel DJ controller with these 2 MIDI doohickeys stuck on the side.  Its perfectly capable as a MIDI controller and as a DJ mixer. SO why on Earth would Allen & Heath do this to themselves? The fucking money.  That's why....

See you can't penetrate a market if your products costs like $4000 which is what the Xone:4D cost when it came out.  It wasn't tied to some hokey Dj software package.  You want the drool inducing sound of of Allen & Heath and a MIDI controller?  Pay up.  ANd you know what?   I am WAY ok with that.  It wasn't junk.  The value was obviously there.  I knew what I was buying because if the reputation and other products available.  I mean, I didn't buy one.  But you get the picture.

So here we are.  Controllers are all the rage and the VAST majority of them are like $300 alone or up to $900 with a software pack. (I'm looking at you VCI-300).  So why not sweeten the pot.  Lets drop the DJ mixer part and just make it a soundcard.  While we're at it, lets keep the cost WAY up!  Fuck it, we're Allen & Heath.  Well, my dear readers.  I kinda want to see this thing.

The problem with DJ Controllers is they're shitty.  I have a Numark Total Control just gathering dust upstairs right now.  Its tiny, its flimsy, and it just wasn't right for me.  Lazer & Blazer however CRUSH gigs all month long with theirs.  Its all about personal preference.  Me?  I want a full sized mixer.  I want all kinds of buttons, faders, and encoders to map.  I want it to have a good A/D Converter.  And most of all I want it made of metal and real shit.  I may have found the holy grail of digital DJing for me.

 If Allen & Heath were to send me one tomorrow, would I sell my CDJs & 1200s and tell you all to do the same.  Probably not.  But if this thing have REAL faders, a metal case, is a bit heavy, and carries with it the quality I expect from Allen & Heath.... I'd better update my eBay account.  Immma 'bout to need $1300.

Friday
20Nov2009

Art Attack! Good Times Last Night!

Does that say Dj or BJ?

 

Just wanted to take a second to say thanks toeveryone that threw & attended ART ATTACK! Last night.  There was some great art on display and some incredible DJing! I and everyone else had a blast. Here's a couple of pics from the event.

Tuesday
17Nov2009

that1TIME's Fall Ball 2009


Fuck Yeah!

We're having a little Post-Thanksgiving Soiree at our favorite new watering hole in Troy, NY: The Troy City Tavern.  It used to be Club Lime for all you crusty pervvy old dude that like to look at hot chicks.  Its 2 floors of sound, no cover, and a great mix of DJs.  Do it!

Monday
09Nov2009

Hustle & Flow with Properly Chilled @ Quintessence!

Wow, that's a hell of a title! I was also thinking of calling this write-up, "What a ton of people decided to do after the Lotus show". Around 2am the sleepy little diner that doesn't sleep on Saturday nights got a sudden 30 person boost, which was unfortunate for them. They didn't get to experience Properly Chilled! But why don't I start at the, um..., start.

I got to Quintessence (11 New Scotland Ave in Albany) right at 10pm. There weren't a lot of people there yet, but Albany is a late night crowd. Brandon (Properly Chilled) was warming everything up and I use that phrase because when he got off the whole place was en fuego! He's an amazing DJ that appeals to everyone including the guy that, I thought, was an undercover cop. He was by himself, not drinking, and paying no attention to the hot chicks Brandon had whipped into a jiggiling frenzy on the dancefloor. Make sure to stop by his site www.properlychilled.com

If you knew what House Music was in 2006, you no doubt heard Hustle & Flow's "Life". It got crushed by every major DJ ever. Brian Anderson & Ryan Kick released some other music together, but none of it had the signature saxaphone and hot house vocal work like this. They pull from all areas of the music: jackin, tech, deep, etc. They brought nothin but prime rib with extra sizzle. Which made the arrival of the next wave of fans that much sweeter. The whole vibe of the music changed with the whole vibe of the place. I didn't get home till 5am We had to stay until the end and not because they borrowed my gear, but because it was that sick.

Special thanks to Lazer & Blazer, Brandon, & Ryan. This is their night and they threw on he'll of a party. If you have pics from the show, email or send them to our Dropbox (over on the right there) so we can share them.

Monday
13Jul2009

How Far Have We Come? A Digital DJ's Perspective

 I have no idea who this is, but every laptop dj looks the same...

 So, it's been a long fucking time coming.  If you're any kind of fan of DJs and you like almost ANY kind of electronic music, I'm positive you've had to face this conversation: "DJs that don't use turntables are: fake/
whack/
dickheads/
cheating/
awesome/
Tiésto/my roommates/
new school or etc.  

  Well, I'm going to lay as much of everything I have to say about this topic out as I can.

 Alright, maybe not everything.  I'm kinda drunk and its a Monday night.  I could GO! But, am I an expert? Many believe so.  So do I in fact, fuck yea.

  Without waxing my balls to a high polish I'll tell you this.  I started DJing in 1997 when, for a breif gleaming moment, electronic music almost destroyed hip-hop & hard rock as the music of AMERICA.  I mean, if you go to Canada or even the UK, DJs are still rockstars.  What the fuck happened to us? But I digress.....  Having bought my first Technics before you were probably born, but remaining young enough to date your sister, I can say this: there are different generations of DJs.  Me~ I can play on 1200s as if its second nature.  CDJs: were just an extension of the 1200, they're my bitch's kissing cousin.  Laptops, Ableton, Serato, Traktor, etc? Six one way, a half dozen the other.  Djing is as much a part of me as breathing or eating.

  What about the kids that didn't have a record store?  THINK ABOUT THE CHILDREN!  This generation had Djs like me with CDJs at their disposal, had rich parents, or were opening for the old guard at big parties.  They had connections to show them the ropes AND had the ways & means to be ahead of the curve.  So what's an old fuck like me to do?  Hell, I'm 32?  The only famous people this old are playing grandparents in movies!  I had to try and stay ahead of the curve or die.  So I over the past 3 years I've played vinyl, I've played on CDJs, and I've spent THOUSANDS of dollars so that I can be a "Digital DJ".  Are you trying to figure out what to do?   I'll give you a brief (unlike my intro) description  of how it all played out.

  Learning on Technics 1200s: Such a pain in the ass!  You have to really have o want to be a DJ to learn how to spin RECORDS.  That's why no one does anymore!  BUT! The DJs that can't spin on vinyl and are any good are few and far between.  You have to flap your wings to fly, but this is AMERICA! I know you're new to DJing and learning how to spin on 1200's will take several months that you don't have!  BUT, 1200s are organic! Every pair is different and there are several different models.  A true master of the 1200 can play on any direct drive turntable.  It becomes part of them.  The DJ needs to feel what each deck is like, the slipmats, the braking, how tight the pitch control is.  Its like driving a classic Porsche.  They're all alike, but only as far as the gas & brake pedals. Otherwise, I could crash & burn at any second.

  Learning on CDJ-1000s: At least Pioneer's in house DJs/engineers knew enough to realize that if CD player were going to take off, they would need to be KINDA like 1200s.  Wait though, they're digital!?!? The big jog wheels all feel the same and the pitch controls are all identical and it tells me the BPM?!?!  I still need to be able to feel my music and understand the equipment I'm driving, but all of a sudden I have traction control & ABS? Shit, this keeps getting easier....

  Spinning from Serato/Traktor/Torq/Ableton Live/Etc: The idea behind all of this is essentially the same.  I need to mix 2 tracks. I need to do it easily and look cool doing it.  BUT!~ Now complex algorithms perform the beatmatching and create grids for me.  MIDI clocks make sure that things happen in time with the rest of the music and I have insane new tools at my disposal that were impossible using large heavy slabs of wax?  Almost all I need to do is hit the gas and brake and keep this monster off the guard rail!

  Do you order vinyl from secret Swedish record shops? Are all of your friends incredible producers, so you only play tracks 6 months before they come out? Did you buy a laptop to carry it around like a security blanket?  So what should you do? Learn em all!

Yup, thats right people.  The organic experience of spinning on 1200s will teach you to FEEL THE MUSIC. Understanding and having the stability of a CDJ will tighten up your skills.  You'll pass the experience and the expertise onto the crowd! Finally, using the infinite tools, effects, and samples, loops, and every other thing I have no idea about on your laptop will make the experience truely unique.  Once you have a bit of all of those things, maybe you'll be able to match some of what you see below and you'll get to touch the heavens and become truely great.

{EDITOR'S NOTE: Scooby is not a great DJ.  He's old and he's DJed a lot.  Alright maybe sometimes he's great, but the last time he tried to use Traktor it ended in a technical horrorshow and he threw his headphones through the crowd at his best friend.  

  Take this whole article with a grain of salt because no matter what, a DJ needs to be playing to the crowd no matter how he does it. BE READY FOR ANYTHING! Needles break, CDs skip, and laptops crash.  Pick your poison, but if any of these happen to you the crowd will think you suck no matter what!!!!}